Album Reviews

We’ve had some really nice reviews from various blogs across the pond. Including:

Italy: http://www.lonestartime.com/2019/10/annie-rod-capps-when-they-fall.html

France: https://www.paris-move.com/reviews/annie-and-rod-capps-when-they-fall/

Belgium: http://www.rootsville.eu/2019/album%20reports%202019/albums%202019/annie%20&%20rod%20capps.html

England: https://dancingaboutarchitecture.info/2019/09/28/when-they-fall-annie-rod-capps-reviewed-by-t-bebedor/

UK: https://www.artree.org.uk/album-review-annie-rod-capps-when-they-fall/

Denmark: http://www.keysandchords.com/album-review-blog/annie-rod-capps-when-they-fall

Denmark: https://writteninmusic.com/albumrecensie/annie-rod-capps-when-they-fall/

https://slimchanceisback.blogspot.com/2019/10/annie-rod-capps-when-they-fall.html?showComment=1571432927761

UK: https://www.folkradio.co.uk/2019/10/annie-rod-capps-when-they-fall/

 The Netherlands: https://bluestownmusic.nl/?p=529

“In the duo’s first release since 2015’s Waiting For Neverland, they’ve created a lush full band folk album.  The production quality is enticingly clear and the music spins hypnotic webs.   Layers of bright guitar sounds and harmonies are the mark of When They Fall in this brand new traditional folk album.  Annie Capps’ vocals shine with the energy befitting a Broadway musical and the acoustic compositions are enchanting, all the while the lyrical tales make the best of the human experience.

Album Premiere: Annie and Rod Capps’ “When They Fall”

“A delightfully sweet organic set that refines and defines the corner of folk and Americana. A small record recorded with big record values, this is an earworm that will easily move in to stay and you won’t be in any hurry to kick it out. Well done.”

– Midwest Record – http://midwestrecord.com/MWR1550.html

By Bob Needham, AnnArbor.com (Click to read on line

“My Blue Garden,” the new album by Annie and Rod Capps, abounds with new twists on old themes. These well-crafted songs live in mostly familiar territory, but it’s seen in original ways.

The best song on the album may be the opener, “Serenity Road”, a wistful nod to times that are changing, and not necessarily for the better. It’s a well-worn idea, of course, but the Capps give it a different spin. The title metaphor can’t help but recall “Big Yellow Taxi,” which only lends the lyric added depth.

“Honey Sugar Baby Mine” echoes the old folk chestnut “Crawdad Song” (and “Fishin’ Blues,”, too), both lyrically and musically. But it’s irresistible and still sounds fresh. This basic scene has been sketched endless times in countless songs over the years, but I’m not sure it’s ever been done better.

“Everything Good” offers a portrait of star-crossed lovers — again, familiar ground. But with great lines like “Until the barroom lights come up, he’s the one she loves,” it doesn’t feel that way.

“Someone Who Knows” is a word of caution to a young woman making mistakes the narrator recognizes all too well. “Another Day” feels like an outtake from a Mary Chapin Carpenter album, and I mean that in a good way. And when it comes to revisiting old themes, the title song outdoes itself — weaving together Jack and the beanstalk, Adam and Eve, and the cow jumping over the moon into a cohesive (if hard to describe) whole.

The Capps’ basic sound sits somewhere in the middle of the rootsy sort of Americana/folk that so many in this area do so well — and this duo is among the best. Both halves of this Chelsea-based married couple play guitar, and Annie sings lead.

On this album, they are backed by a number of names familiar from the regional folk scene, with Jason Dennie’s mandolin getting special billing. Throughout, the playing is spirited and flawless, and the recording is cleanly and crisply produced (by Glenn Brown and the couple). The Capps’ “Blue Garden” is a perfect place to spend some time on a summer afternoon.

By Bob Needham, AnnArbor.com (Click to read on line

“My Blue Garden,” the new album by Annie and Rod Capps, abounds with new twists on old themes. These well-crafted songs live in mostly familiar territory, but it’s seen in original ways.

The best song on the album may be the opener, “Serenity Road”, a wistful nod to times that are changing, and not necessarily for the better. It’s a well-worn idea, of course, but the Capps give it a different spin. The title metaphor can’t help but recall “Big Yellow Taxi,” which only lends the lyric added depth.

“Honey Sugar Baby Mine” echoes the old folk chestnut “Crawdad Song” (and “Fishin’ Blues,”, too), both lyrically and musically. But it’s irresistible and still sounds fresh. This basic scene has been sketched endless times in countless songs over the years, but I’m not sure it’s ever been done better.

“Everything Good” offers a portrait of star-crossed lovers — again, familiar ground. But with great lines like “Until the barroom lights come up, he’s the one she loves,” it doesn’t feel that way.

“Someone Who Knows” is a word of caution to a young woman making mistakes the narrator recognizes all too well. “Another Day” feels like an outtake from a Mary Chapin Carpenter album, and I mean that in a good way. And when it comes to revisiting old themes, the title song outdoes itself — weaving together Jack and the beanstalk, Adam and Eve, and the cow jumping over the moon into a cohesive (if hard to describe) whole.

The Capps’ basic sound sits somewhere in the middle of the rootsy sort of Americana/folk that so many in this area do so well — and this duo is among the best. Both halves of this Chelsea-based married couple play guitar, and Annie sings lead.

On this album, they are backed by a number of names familiar from the regional folk scene, with Jason Dennie’s mandolin getting special billing. Throughout, the playing is spirited and flawless, and the recording is cleanly and crisply produced (by Glenn Brown and the couple). The Capps’ “Blue Garden” is a perfect place to spend some time on a summer afternoon.

From Tom Saunders – DJ and host of Folk it! Radio program on a3radio.com

My Blue Garden

Johnny’s Speakeasy is a great place to see a show.  In the former apple cellar and speakeasy, music is king ,and  Johnny is the reigning Prince of genial hosts, making folks feel at home and talking to everyone as though he has known them for 20 years.

Here was the perfect place to have Annie and Rod Capps stage the release party for their sixth album, “MY BLUE GARDEN”.  Along with steel guitar master Drew Howard (Capt. Midnight), Tommy Emmanuel rival Jason Dennie, and singer,  Christine Schlenker  doing harmonies, the packed crowd was treated to the  incredible prospect of a 2 hour and twenty minute extravaganza of music from one of Americas fast rising composers, Annie Capps.

It used to be in the old days, say 5 years ago, that you could say,” Lets go somewhere tonight.  Annie and Rod are playing at … insert any number of places” and that would be that.  A good time, great music and jaw dropping guitar work from Rod Capps all to be seen in a local haunt.  But with the release of “IN THIS TOWN” two years ago Annie Capps took a giant leap into real, solid, introspective, tear your heart out, song writing.  The shows still were the same breezy, happy, magical things that they were, with Annie the Master of the live show, holding forth for her friends.  But now the music and the lyrics and the delivery were several notches higher.  The depth of the words were far deeper and, if possible, Rod’s guitar arrangements, even more melodic and captivating.

MY BLUE GARDEN is a ten song extension of this charge on the music scene.  Some of the songs have been performed with The Yellow Room Gang, and most have found their way into the live shows.  “Honey, Sugar, Baby, Mine” and Crocodile Man” are the most tuneful and fun but the other offerings, especially” Sherriff’s Daughter” show Annie Capps at her best.  On a par with “In This Town” it will become the most played song on the CD in my opinion.

The new CD is released in July and is available at CD BABY or at www.anniecapps.com.

Get the CD now and see them while you still can.  Ann Arbor has lost The Hummingbirds, Al & Whit Hill and Luke Sayers in the last few years.  Nashville is not that far away for the Capps and somehow a visit will not be the same as having them here in our town so we can say on any old night, “Let’s go somewhere tonight.  Annie and Rod are playing at … “

Tom Saunders
Host- Producer FOLK IT!
A3radio.com
Sundays 6 PM

From WYCE http://www.grcmc.org/radio/music.php

Regional musicians (they’re from Chelsea) Annie and Rod Capps deliver a set of “small town” American folk music, accentuated by Annie’s high soprano and a familiar supporting cast made up of Rachael Davis, Jen Sygit, Jan Krist, Jim Alfredson (Organissimo) and others. While I appreciated their homespun originals, it is the two cover tunes that caught my attention — Dave Carter’s “Crocodile Man” and the gospel number “Soon Be Free.” Folk music is alive and well in the hearts, voices and fingers of this couple. 08/09 Michael J. F-Traditional REGIONAL

About “In This Town”

John Shelton Ivany Top 21 http://www.jsitop21.com/312.html

The Capps are a powerhouse duo. It seems that marriage either ruins or makes your music. As of late, I seem to have gotten quite a few releases from couples, and more often than not it ends up being superb. With Annie and Rod Capps, we have a couple from thirteen plus years, writing and performing folk-esq stories of leaving home and finding it: little vignettes in each song.

While having an album flow from beginning to end is a great way to take your recordings, having each song stand alone, independent from the rest of the record definitely has some appeal. It’s not only lyrical content: songs range all over the board in the realm of folk music. We have songs like “The Ring” which takes a sort of country twang, and “Back in ’75” traces the mold of the singer/songwriter genre.

Rod focuses on the stringed instruments (slide guitar, electric guitar, bass, yada yada ya…), while Annie seems to be responsible more for the vocal tracks. I don’t know if I’d say I love her voice, but it’s most certainly different. A childlike quality to her range and vocal inflections reminds me a bit of Rilo Kiley, but not quite as “cute”, if you can imagine that. Not that it detracts from the rest of the music, rather Annie’s voice adds color to the already vibrant music that the Capps have created together.

From Music Matters Review – Issue 24
By Michael Devlin

Here’s a duo who perform simple, well-written and played songs. Annie has a grown-up girl next-door voice as she sings with a slightly flat Midwestern accent. Rod plays various guitars and banjos. They are not trying to dazzle with flashy playing or show stopping vocals, but the songs are truly told with a beautiful eye for detail. Annie’s voice is disarming as she effortlessly captures your attention with her narrative stories. The music eases through various styles, every bit of it well played in straightforward arrangements that could easily be taken on the road. If this album is any indication, one could imagine being at one of their concerts begging them to play just one more song far into the night.

From the Lansing State Journal 7/5/07
Capps duo is a mature entry in folkie-songwriter genre
by Chris Rietz

“In This Town,” coming out Tuesday, is the fifth album from longtime Ann Arbor songwriting luminary Annie Capps and her multi-instrumentalist/musical director husband, Rod.

In years past, they were bandmates in Detroit-based bands Dreamstreet and Foolish Mortals; Annie is also a charter member of the Yellow Room Gang, a sort of Ann Arbor songwriter mafia and occasional performance group with the Mustard’s Retreat boys, Whit Hill, Kitty Donohoe, Matt Watroba, David Barrett and others.

Annie and Rod sing songs and play guitars; and the folkie- songwriter genre can seem so overpopulated and colorless that many listeners simply won’t be interested. That’s too bad, because Annie Capps is an exception, and the reasons why make a fairly long list.

First of all, Annie is a grownup, and the mature outlook of an artist who’s tended her own garden well for a long time is refreshing, in a genre seemingly owned by youthful angst (or narcissism). “In Time” (we think he meant “In This Town”) is the final break from her confessional style of the past, and her song’s narratives are now entirely fiction – a parallel universe where real truth resides.

In this regard, “In This Town” is her breakout album. The songs are deliciously underwritten, almost snapshots, and the best are vignettes that suggest vastly more than they depict. “Find a Smile” is a trucker-and-his-lonely-wife song with a dark undercurrent unlike any other trucker song; “The Ring” is a masterfully crafted anecdote about finding a diamond ring in a pile of shattered glass.

Annie and Rod also resist the temptation to affect a countrified sound, the haven du jour for countless mediocre songwriters. Annie has a warm, little- girl voice that never drawls, nor does she force it into uncomfortable territory; it’s unmannered and direct, and it’s always appealing.

Because she’s the singer – and more or less the sole songwriter – Annie may be the star of the show. But Rod gets equal billing, and rightfully so: the arrangements and production are his bailiwick. Note how his funk bass bounces off Annie’s ukulele in “Tumbling Down,” likely the first such pairing ever; and how his facile, quicksilver guitar-playing fills the album with spark yet somehow never gets in the way.

Chris Rietz works at Elderly Instruments in Lansing. His reviews appear every other week in What’s On. Contact him at crietz-lsj@comcast.net.

From the June 2007 Issue of the Ann Arbor Observer
By James M. Manheim

“If I lived in this town, I would frequent this café,” sings Annie Capps “and that table in the corner would be mine most every day.” Capps has a way of starting a song with an image that’s simple yet arresting enough to propel you through the ensuing developments, which often cover quite a bit of territory. That one leads to a whole imagined new existence for an unhappy woman, resembling the one that unexpectedly comes to fruition in Anne Tyler’s novel The Ladder of Years. Quite a few of her songs instantly place you in the protagonist’s mind: “Crossed the Mississippi, said good-bye to you/Hello to the road and a new thought or two.”

Capps is one of a group of Ann Arbor songwriters (sometimes known as the Yellow Room Gang) who have created a genuine local scene and often taken it on the road to metro Detroit and northwestern Ohio and the northern Lower Peninsula. One among their number, Jan Krist, coined the term “Midwest Urban folk” to describe the music they make – they are all into detailed songcraft, but they grew up in Michigan amid rock and Motown and country, and there’s usually a beat of one kind or another running through the music. Annie Capps works with her husband Rod on guitars and other strings, and her band often features the subtle percussion of Christine Schinker. They form a tight, symbiotic group that sets a mood for Capps’ songs without over-whelming them.

Capps has been writing songs since she was eleven, and the music on her older albums often had an appealing mixture of confession and sass. When she comes to the Ark on Friday, June 22, she’ll have a new release, In This Town. I’ve heard a working version and it’s terrific. Capps has some great story songs – the title track quoted above and The Ring, a virtuoso effort about a woman who is sweeping up shattered glass [] and spots a wedding ring in the debris. As her reflections unfold – “The trouble with hope is the way that it shatters” – they’re periodically qualified by a little “sometimes, anyways” that makes the whole funny-sad set of images reverberate in the brain.

Capps also broadens her range on In This Town, probably under the influence of her Yellow Room Gang associates. Some of her new songs tackle big spiritual questions the way that Krist does, and others have a bit of Whit Hill’s quirky outlook. That’s how you make a promising scene grow, and those who follow Michigan songwriting or just want to check some out should come on down to the Ark for Annie Capps turn in the spotlight.

From Fran Snyder of Concertsinyourhome.com

(http://www.concertsinyourhome.com/blog/archives/502)

Annie and Rod Capps are familiar names (OK, friends) for anyone who attends Folk Alliance conferences. Super-genial, understated musicians that will rip your heart out with a song if you put your guard down. You’ve been warned- and you’ll be charmed.

For: fans of song, especially those who prefer traditional-ish delivery that belies the clean, world-class production.

Check out and pick up their CD.
Book them for a house concert.
You’ll be delighted on both counts.

Fran Snyder

“Watch out for Annie Capps. Her latest recording and recent live shows are proof that yet another major talent is developing here in Michigan.” –Matt Watroba, WDET “Folks Like Us”

“[’One Big Show’ is] a perennial classic.” – Steve Jerrett, KOPN, 89.5 FM – Columbia, MO

“Such a good song, such a good album!  Your overall sound is so fresh,  totally unique in style . . .not to mention the awesome songwriting.” -Lilli Kuzma, WDCB, Glen Ellyn, IL “Folk Festival

“Wow – [In This Town] is awesome! Wonderful collection!” – Jerry Saint, WMHB, Waterville, ME

“It’s fantastic!” – Marty Scarbrough, KASU Program Director, State University, AR

“Already know the Capps will be a fave for me.” – Norm Mast, WVPE, Elkhart, IN